'Relics of what could be, what could have been'

Slugtown, Newcastle, July 2017

Field study of touch,
imprint in concrete 

Ephemeral monument. Once more with feeling

Photographic print of etched concrete column

Rescind, withdraw, revoke
Concrete, Resin, Anchor bolts, Silk

Relics of what could be, what could have been plays with archaeological & anthropological language, maybe its the start of an emotional archive;
how do we record feeling,
do objects embody feeling,
does it provoke empathy?
Imagine a map of every touch you’ve felt.

Each work holds its own narrative and they are held in each other’s company by their shared language, material and the space they occupy.

Using Format