'Relics of what could be, what could have been'
Slugtown, Newcastle, July 2017
Field study of touch,
imprint in concrete
Ephemeral monument. Once more with feeling
Photographic print of etched concrete column
Rescind, withdraw, revoke
Concrete, Resin, Anchor bolts, Silk
Relics of what could be, what could have been plays with archaeological & anthropological language, maybe its the start of an emotional archive;
how do we record feeling,
do objects embody feeling,
does it provoke empathy?
Imagine a map of every touch you’ve felt.
Each work holds its own narrative and they are held in each other’s company by their shared language, material and the space they occupy.